Towers of Silence: Zoroastrian Architectures for the Ritual of...

Zoroastrianism traditionally conceives death as a temporary triumph of evil over good: rushing into the body, the corpse demon contaminates everything it comes in contact with.
The flesh of a dead body being so unclean it can pollute everything, a set of rules had to be created in order to dispose of the corpse as safely as possible: as the natural elements of earth, air and water are sacred, the corpses were not to be thrown upon the water or interred. Cremation was also forbidden, as fire is the direct -purest- emanation of the divinity.

Hence a complex ritual was developed, in which the corpses would be eventually exposed to birds of prey and thus devoured, in a final act of charity.
After death every division of class and wealth disappeared, for all deceased would be treated equally.

A proper architectural typology was invented solely for the purpose of burial’s ritual: transported in the desert by nasellars (traditional zoroastrian pallbearers), the bodies of the deceased were then carted onto sandstone, forbidding hills, to be eventually disposed on cilindrical constructions called Towers of Silence.

A Tower of Silence, or Dakhmeh, is a structure laying on the top of a hill, consisting of concentric slabs surrounding a central pit. The bodies were arranged onto four concentric rings: men, outermost, than women and children. Despite the fact the the birds of prey needed less than an hour to leave nothing but bones, the remains of the dead were left bleaching on the upper circles no less than a year before the nasellars could come and push the skeletons onto the underlying ossuary pit. Running through sand and coal filters, the disintegrated bones were eventually washed away in the sea.

A guardian traditionnaly lived near the Tower of Silence, and was the sole person allowed to handle the ceremonial procedures, while relatives of the deceased stayed in a house below, and were forbidden to enter.

Iranian Zoroastrian discontinued this ceremony, and the Dakhmeh were banned in the 70’s; conversely, Parsi modern-day Zoroastrians in Mumbai and Karachi still mantains the tradition of burial by exposure, through the use of their own Towers of Silence.

Further read:
Towers of Silence on Wikipedia
A Sea of Lead, a Sky of Slate
Historical Iranian Sites and People

Please be aware that some of the images at the end of the post are extremely graphic. Viewer discretion is advised.

THE HORROR TREE: Tower Of Silence

THE HORROR TREE

The tower of silence.

Indian officials investigating several missing persons reports from a nearby city.

What they found was a “Tower of Silence," or dakhma.
Zoroastrians use these sites to dispose of bodies in the open air!
While sites like these are not uncommon in certain parts of India, several peculiarities hint at something more unusual…

None of the bodies depicted in the photograph were identified. Villagers from nearby, though initially surprised at the sheer number of corpses in the dakhma, proved unable to recognize the bodies. The corpses also do not match the descriptions of the missing people.

There were no animals around except for maggots and flies. Zoroastrians rely on birds (i.e. buzzards) to dispose of the bodies, in the belief they are contributing back to the Earth. Officials found the corpses relatively untouched by any sort of animal.

There is no official count of the bodies. In fact, little work was actually accomplished at the site and, perhaps, this is why only one photograph has emerged. Officials avoided the spot – not only because they felt uneasy looking at it, but for the following, as well:

The deep pit in the center of the photograph was filled with several feet of festering blood – far more than the bodies on the outside could ever supply. The stench was so unbearable that many of the officials began to get nauseous when they first approached the dakhma.

The expedition was ended when a villager accidentally kicked a small bone into the pit, penetrating the coagulated surface of the pool. A massive burst of gas from the decomposing blood erupted from the pit, splashing those looking into it, along with the photographer.
Those caught in the explosion were immediately sent to the hospital, where they were quarantined for possible infection. They became delirious with fever, shouting about “being tainted with the blood of Ahriman" (the personification of evil in Zoroastrianism), despite never having admitted having any familiarity with the religion.

In fact, many of them had no idea what the dakhma was when they had found it. Delirium turned to insanity as many began to attack hospital staff until they were sedated. The fever eventually killed all of them.
When officials returned with HAZMAT gear the following day, the site was empty. All the bodies had been removed and, astonishingly, the pool of blood in the pit had been drained. All that remained of the incident was this photograph.

What is a 'Tower of Silence', Dakhma?

These places are real!
The Dakhma is belief to be a circular raised structure used by Zoroastrians for exposure of the dead.
The common Dakhma originally denoted any place of the dead.
The term "Tower of Silence" is a neologism attributed to Robert Murphy, who, in 1832, was a translator of the British colonial government in India.

Zoroastrian tradition considers a dead body, in addition to cut hair and nail-parings, to be unclean. Specifically, the corpse demon was believed to rush into the body and contaminate everything it came into contact with, hence the Vendidad (an ecclesiastical code "given against the demons") has rules for disposing of the dead as "safely" as possible.

To preclude the pollution of earth or fire, the bodies of the dead are placed atop a tower and so exposed to the sun and to birds of prey. Thus, "putrefaction with all its concomitant evils... is most effectually prevented."

The towers, which are fairly uniform in their construction, have an almost flat roof, with the perimeter being slightly higher than the center.

The roof is divided into three concentric rings:
The bodies of men are arranged around the outer ring, women in the second circle, and children in the innermost ring. Once the bones have been bleached by the sun and wind, which can take as long as a year, they are collected in an ossuary pit at the center of the tower, where they gradually disintegrate and the remaining material, with run-off rainwater, runs through multiple coal and sand filters before being eventually washed out to sea.

The ritual precinct may be entered only by a special class of pallbearers, called nasellars, a contraction of nasa.salar, caretaker of potential pollutants.
The earliest reference to ritual exposure comes from Herodotus, where the historiographer describes the rites to have been secret, and "vaguely" that these first occurred after the body had been dragged around by a dog or bird. Further, the Magi (a term that eventually came to signify a Zoroastrian priest but may not have meant that in Herodotus' time) practiced this quite openly, before they finally embalmed the corpse with wax and laid it in a trench.

While the discovery of ossuaries (in both eastern and western Iran) dating to 5th and 4th centuries BCE indicates that bones were isolated, that this separation occurred through ritual exposure cannot be assumed: burial mounds, where the bodies were wrapped in wax, have also been discovered. The tombs of the Achaemenid emperors at Naqsh-e Rustam and Pasargadae likewise suggest non-exposure, at least until the bones could be collected. According to legend (incorporated by Ferdowsi into his Shahnameh), Zoroaster is himself interred in a tomb at Balkh (in present-day Afghanistan).

While general exposure of the dead is attested from earliest accounts, the ritual customs surrounding that practice appear to first date to the Sassanid era (3rd -7th century CE). They are known in detail from the supplement to the Sayest ne Sayest, the two Rivayat collections, and the two Saddars. The use of towers is first attested in the 16th century.

What is the truth?

I am not so familiar with the Indian/ Iranian culture and beliefs.
But this is the first time I saw something like this.

It must be horrible to discover a place like this, but if this is what the Zoroastrians beliefs, so be it.

I do not know if they still perform this way of funeral. But they did it some years ago.
I wonder if it is legal? Such a place must be a health hazard!

But what about the story? Did it really happened?
The entire story is based on that first picture.
And with a little investigation, it was easy to see the pit was photoshopt!
And later on, I found the original picture.

The picture was the hard evidence of this story.
But the picture is fake, just like the story.

Still the picture is amazing!

The real deal about the Tower of Silence is really disturbing.

Nova Express, a film by Andre Perkowski

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Andre Perkowski’s Nova Express describes itself as “a 3-hour experimental epic adaptation of the novel by William S. Burroughs… with Allen Ginsberg, Brion Gysin, Phil Proctor, Peter Bergman, Jürgen Ploog, and Anne Waldeman". The technique is relatively simple, if laborious: a large quantity of copyright-free film & TV footage, animation and visual material is matched to readings of Burroughs’s novel by the author and others. As far as this goes it’s an interesting answer to the question of filming Burroughs’ early works. Ideally this kind of juxtaposition of word and image should create something which isn’t present when word and image are separated, rather than simply operate on the level of what animator Chuck Jones once called “illustrated radio". The clips on YouTube veer between these two poles. Notable by its absence is this kind of thing:

The naked cadets entered a warehouse of metal – lined cubicles – stood a few inches apart laughing and talking on many levels – Blue light played over their bodies – Projectors flashed the color writing of Hassan i Sabbah on bodies and metal walls – Opened into amusement gardens – Sex Equilibrists perform on tightropes and balancing chairs – Trapeze acts ejaculate in the air – The Sodomite Tumblers doing cartwheels and whirling dances stuck together like dogs – Boys masturbate from scenic railways – Flower floats in the lagoons and canals – Sex cubicles where the acts performed to music project on the tent ceiling a sky of rhythmic copulation – Vast flicker cylinders and projectors sweep the gardens writing explosive bio-advance to neon – Areas of sandwich booths blue movie parlors and transient hotels under ferris wheels and scenic railways – soft water sounds and frogs from the canals – K9 stood opposite a boy from Norway felt the prickling blue light on his genitals filling with blood touched the other tip and a warm shock went down his spine and he came in spasms of light – Silver writing burst in his brain and went out with a smell of burning metal in empty intersections where boys on roller skates turn slow circles and weeds grow through cracked pavement –

Nova Express isn’t as homoerotic as the other books from this period but the whole of the Smorbrot chapter runs like that, and there are other moments elsewhere. (I should note that there’s no Smorbrot section in the available clips but I expect there will be in the complete film.) This side of Burroughs’ work is still the least represented where adaptations are concerned. Ignore it and you’re ignoring a major component of his fiction. Andre Perkowski talked to Graham Rae at Reality Studio in 2010.

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Previously on { feuilleton }
Decoder, a film by Jürgen Muschalek
The Burroughs Century
Interzone: A William Burroughs Mix
Sine Fiction
The Ticket That Exploded: An Ongoing Opera
Burroughs: The Movie revisited
Zimbu Xolotl Time
Ah Pook Is Here
Jarek Piotrowski’s Soft Machine
Looking for the Wild Boys
Wroblewski covers Burroughs
Mugwump jism
Brion Gysin’s walk, 1966
Burroughs in Paris

William Burroughs NOVA EXPRESS 1999-2014 - YouTube